Earlier this 12 months, the London-primarily based electronic producer patten produced Mirage FM, which billed by itself as “the very first-ever album manufactured from textual content-to-audio AI samples.” It was made utilizing Riffusion, a system launched in 2022 that follows a somewhat much more convoluted design than MusicLM: At the time a user inputs a text prompt, it generates a visualization, which is then translated into an unique audio file. “My engagement with building new music is really much about trying to do matters that prod out the feasible,” suggests patten, who is also a Ph.D. researcher in the industry of intersection with know-how and artwork.
So when he to start with found out textual content-to-audio was doable, even even though he was supposed to be using a break, he identified himself so encouraged that he created an album in his downtime. “I just started off recording hrs and several hours of experiments,” he claims. Right after that, he went again by way of it all forensically, finding smaller snippets that appealed to him. From these pieces, he assembled his bigger get the job done. When I ask him about his textual content prompts, he playfully declines to share them: “I assume of them as spells, or incantations,” he says of the words and phrases he typed into Riffusion’s generative audio motor.
The final result, he is rapid to observe, still feels like “a patten album. When you listen to it, it is incredibly definitely produced by me. It doesn’t instantly really feel like I’m using a unique method.” The prompts, he claims, ended up just that, and in this way, patten is applying textual content-to-audio computer software in a great deal the way Donahue envisioned MusicLM serving expert musicians—as a goad to get creativeness flowing, a cracked-open up doorway to the act of genuine human development.
“Making songs that feels like something—people discover that pretty tough to do,” patten muses. “There’s no formula for a piece of songs that people today find touching.” The stems he generated with his words and phrases ended up just raw products, reworked by the curiosity of his gaze.
Listening to Mirage FM, it’s unachievable to know where patten’s inventive process commences and the snippets generated wholesale from Riffusion conclude. But both owing to his decisions or the program’s idiosyncrasies, the album has an intriguingly unfinished sense, like a workbook left open.
The album is composed of 21 glimmering shards, none of the tracks extending much previous the two-minute mark. Addressed voices gabble away beneath large processing filters, mimicking synthesizers, although synth traces cry like baby animals. Sometimes the audio appears to hiccup into silence, as if nitrogen bubbles flowed via its bloodstream. The mood is dreamy, both of those in the “inducing reverie” feeling and in its imprecise perception of unreality. The earth it paints feels hazy, but attractive: Its contours appear to be to glow, a doable long term pondering alone into existence.