Deon Taylor is a intriguing determine, owning forged his possess path as a Black filmmaker in Hollywood, independently generating, and now distributing, his movies, and he appears to be the only man or woman single-handedly trying to keep the mid-spending plan adult thriller alive (see: “The Intruder,” “Black and Blue,” “Traffik”). He is rigorously centered on the craft of filmmaking, but he’s also obsessed with serving a multicultural viewers that goes mostly underserved by sure swaths of the business. A world-wide pandemic was undoubtedly not likely to derail his mission, and in his hottest movie, the horror flick “Fear,” Taylor will take on the pandemic head-on, utilizing our collective anxieties as the grist for his storytelling mill.
“Fear” is a COVID movie, and a contagion movie, and a haunted house story rolled into 100 feverishly stylized minutes. The movie would be a tortured metaphor for the ways in which we all let panic to rule our life, and how we manifest what we concentrate on, for improved or for even worse, but it’s not so a lot a metaphor as it is plainly and regularly mentioned through.
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